About Me

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I am the creator of steampunk reviews, a woman in love with history, mystery, and the fine things of life, though not necessarily in that order. As a self-styled aristocrat, I've aimed to cultivate an old world (real or constructed via movies being irrelevant to me) sense of elegance and taste, and have been going to great lengths to fulfill that goal. It is my aim to live a life that is enjoyable, rather than one obsessed with being 'perfectly good for me in every way'.
Showing posts with label mini reviews. Show all posts
Showing posts with label mini reviews. Show all posts

Tuesday, October 4, 2011

A Bevy of Steampunk Beverages


I am not ashamed to say that I love a good drink.  With few exceptions, I have found most wines, beers, and hard liquor in all its varied forms to be wonderful, wonderful things.  Of course that train of thought has led me to eventually seek out the best and the brightest – as well as the strangest – in the realms of alcohol.  So, for your delectation and delight, some examples of beer, wine, and general booze that I classify as steampunk!

1.        Kraken Rum:  This probably goes without saying, all things considered.  The label/bottle alone are extremely good reasons to buy it.  The rum itself, however, may take some getting used to for those more accustomed to Captain Morgan and Bacardi.  It packs a serious, burning punch when you drink it straight (as myself and some of my more adventurous friends have been known to do.) In mixed drinks it loses that nasty/lovely caustic element and goes down nice and smooth.  The flavor is heavy on vanilla, with other spices like cinnamon and cloves acting as ‘backup dancers’, if you will.  (Please note, you must say ‘Release the Kraken’ when you open it.  It’s the law.)

2.       Steam Whistle Beer:  I mentioned this umpteen blog posts ago, but Steam Whistle, if you can get it, is an excellent, light, Canadian pilsner, eminently drinkable.  It goes great with luncheon type food and is very refreshing.  The label itself is what causes me to class it as steampunk, and the brilliant green bottle is also very pretty to look at.  One small problem; I haven’t been able to find it in the US, despite much scowering. 

3.       Ichabod ale:  From the New Holland brewery, this is a wonderful seasonal beer.  They use pumpkins in the mix (which I cannot taste) and spices (which I most definitely can).  The end result is one of the few dark-er beers that I actually enjoy.  (As a rule of thumb I almost always drink IPAs, partially because I love how they taste but also because most people don’t like them and therefore won’t steal mine.)

4.       Midas Touch:  Derived from the chemical sampling of the inside of an ancient, cauldron, this stuff is apparently pretty damn close to what ancient people used to get sloshed on.  It’s good, albeit pricey (saffron is used in the brewing process), middle of the range on the sliding scale of pale to dark beers, and while I don’t know that it’s one of my favorites, it’s still a great way to strike up conversation at parties.

5.       Biere de Mars:  An awesome Belgian beer, this stuff comes in an ENORMOUS bottle, and you will be tempted to drink it all in one go.  And in this case, you can give in to temptation.  The stuff is amazing -light, bubbly, and otherworldly.  It makes me want to climb aboard the Enterprise or the TARDIS and go whizzing through space.

I have not, however, been able to find a steampunk gin.  Any suggestions on that front are welcome. 

Monday, August 15, 2011

When a film fan becomes a film fail

I love art films. That’s just a given. I adore Pan’s Labyrinth, the 1979 Nosferatu, the short films of the Brothers Quay, and Koyaanisqatsi, amongst many other films of that ilk. Often, the weirder and more disturbing the movie is, the more likely it is that I am all over it like ants on a sugar heap. I really and truly love when films push my boundaries and expect me to think for myself. This, however, does not prevent me from enjoying more mainstream works. I adored Priest, Thor, Cowboys and Aliens, and the Hangover 2, and that’s just this summer’s roster of movies that I saw. Did I consider any of them to be extremely deep or meaningful? No, not really, but they entertained me, made me roll with laughter, hold my breath with suspense, and generally have a grand time with a bucket of popcorn on my lap.
So now, I offer a heartfelt rant to the world. All you snobby film viewers who insist on criticizing any film that doesn’t fit your concept of high cinema, please remove your collective head from your collective ass. I had to put up with one of your kind, a self-centered hipster who refused to give any credit to the actors (in her eyes everything was due to the magic of the director) or to speculate on the meanings of particularly arcane movies. She drove me crazy. All she ever did was quote essays about the films in question, never once producing an independent thought of her own.
Obviously, it was this hipster who fueled my outright hatred of film snobbery, but I feel everyone, especially those of us who love art films, should take this sort of behavior into consideration before you open your trap to lambast a film. Now of course I’m not saying that you shouldn’t criticize a movie you dislike (I’d be out of a job then), but I do suggest that you consider whether the film was really and truly *bad*, rather than it just didn’t make the cut for the Cannes Film Festival. And there are, in fact, plenty of films that are really and truly bad, (The Last Airbender, DEAR GOD, THE LAST AIRBENDER) and ripe for the shredding. In other words, here are some good, non-subjective reasons for disliking a movie: Wooden script, abysmal acting across the board, abuse of special affects for no good reason, and enormous plotholes. Here are reasons that may mean the world to you, but are in fact subjective and it may be better to keep to yourself: The film wasn’t directed by your favorite director, it was made by a big Hollywood studio, it was designed to entertain rather than to inspire nirvana….etcetera.
Also respect other’s right to dislike *your* movies. I don’t look down people because they didn’t like Black Swan or Inglourious Basterds. And I (and many others besides myself) would take it as a kindness that we be allowed to dislike movies regardless of the film’s perceived merit. As per example Citizen Kane just plain bores me to tears. Yes I know it’s supposed to be a classic, but I’d rather watch Attack of the Killer Tomatoes than be forced to contemplate Rosebud one more time. Or hear a hipster dissect the symbolism of Rosebud one more time. In other words; film likes and dislikes are subjective, and disliking a film is not automatically a sign that one is an uncouth yokel.
Finally, one does not have to have read every book on film or seen every arthouse flick to have an opinion on a movie. I love Nosferatu for its powerful Memento Mori attitudes, and I do not give a specific DAMN about the New German Cinema style that produced it or its goals, nor do I feel any need to. Directors, after all, may make a film in a certain way and hope to send a certain message, but everyone will walk away with differing opinions. People filter what they see through their own experiences and perspectives, and if you find yourself filtering your films entirely through the lenses of others, you will end up like the hipster I mentioned earlier: a squawking parrot with no opinion of your own.
In summary, watch the movies you love, debate about them politely while keeping the subjective elements in mind, respect the likes and dislikes of others, and never feel obligated to watch a film you hate/have no interest in.

Wednesday, June 23, 2010

Steampunk Stratford


This past weekend I was across the border in Canada, off dazzling my way up street and down alley in Statford, seeing plays, drinking tea (and beer! God love Canada!), and generally have a grand and suprisingly steampunk time. The gear-headedness began at the first play, As You Like It, where the set featured an enormous clock that spun at various times during the performance. I managed to snap the following photo of it before being informed that picture taking is a no-no at any point in the theatre, not just during the performance proper, but I feel it is a shame to hide it if it will inspire more people to go to the show.

The next day, while getting a light luncheon before proceeding to a raw and grandiose production of Evita, I ran into another element of Steampunk in the form of a beer known as 'Steam Whistle', which is a Pilsner that is just generally wonderful, light and wheaty (god I sound like such a snob) without any unpleasant bitterness.

Moving right along, by far the most Victorian place I came across was a 'tea salon' called Harry Ten Shilling, which sells a variety of teas and beautiful English style tea wares. It also has a menu that features fascinating marriages between tea and popular coffee drinks, such as tea lattes, a concept that had never even crossed my mind. I became addicted to one of these lattes, which was referred to as 'London Fog' and created by mixing black tea, milk, and bergamot, mandarin, and carmel syrups. To say I'm in withdrawal from this marvelous drink is a bit of an understatement, though I was at least able to buy a canister of tea (known as Dorian Grey), which I am currently sipping petualantly out of a lovely bone china teacup I purchased at the same time, and, as we all know, everyhing stops for tea.